![]() ![]() This feature is especially useful in collaborative situations: if you are working collaboratively, you could export specific tracks for your colleague to work on and create a new session that you can then share. #Protools 10 playlist export proPro Tools 10 now enables you to export any selected tracks in a session as a new session. If Pro Tools throws up the Missing Files dialogue and asks about missing fade files, select the 'Regenerate Missing Fades Without Searching' option and click OK. ![]() If such a session is then saved in Pro Tools 10 and reopened in an earlier version, any newly created or edited fades will need to be rendered (regenerated) and saved in the session's Fade Files folder. New fades created in the session do not generate any new rendered fade files in this folder. When opening a session created in Pro Tools 9 or lower, Pro Tools 10 still uses real‑time fades: the Fade Files folder in the session folder is neither deleted nor used. Real‑time FadesĪlong with clip‑based gain, Avid have introduced real‑time fades in Pro Tools 10: fades and crossfades are now no longer stored on disk but calculated on the fly. So although it was the post‑production community that asked for it, the music industry is loving it too. It can be used to 'embed' volume rides into a clip where you want them to be pre‑insert, or you might want to move a clip around within a session dynamic clip gain also provides a forensic way to clean up audio tracks, by ducking unwanted spill and so on. There are plenty of uses for clip‑based gain. Unfortunately, this feature doesn't work for OMF, but it does mean that interoperability with Avid's Media Composer has improved. Also, clip gain settings from an AAF file now come into Pro Tools as clip gain, rather than being converted to fader automation. ![]() The key point about it is that clip gain settings stay with the clip (region), so when you move, copy and paste clips, their clip gain settings come too. Where two clips are crossfaded, both their gain lines are visible.Ĭlip‑based gain is applied pre‑fader and before the channel insert points. When you create crossfades between two clips, this is done relative to the existing clip gain for each clip, so for the duration of the crossfade, two automation lines are visible. You can also add breakpoints when you have the Smart Tools enabled by using the Command (Ctrl) key, as you would do with standard volume automation. To create dynamic clip gain, you can add breakpoints using the shortcut Ctrl-Shift-E (Mac) or Start-Shift-E (Windows). Right‑clicking the fader icon gives you a series of options: Bypass Clip Gain, Clear Clip Gain, Render Clip Gain or Hide Clip Gain Line. You do this by toggling Clip Gain Info in the Clip sub-menu in the View menu.Ĭlip gain has a complete range of ‑144dB to +36dB, although a figure is only displayed when you use static gain a graphical display of clip gain called the Clip Gain Line is also visible at track heights of Small and above. To access clip‑based gain, you need to display the little fader icon in all clips. Clip-based gain in Pro Tools 10 can be used simply to change the level of an entire clip (above) or dynamically as a form of volume automation (below) Clip gain is applied in real time on playback and is not rendered unless you want it to be. It can be static, applying a fixed gain-change to a complete clip, or dynamic, incorporating level changes just like conventional automation. In essence, clip‑based gain is like an additional layer of volume automation that is internal to clips (or regions, as they used to be known). ![]() The post‑production community has been clamouring for clip‑based gain, as found in some other DAWs, for ages, and now we have it. Now that we've all got Pro Tools 10 up and running, and, I hope, have overcome the pitfalls described in the last couple of workshops, it's time to get to grips with some of its new features. #Protools 10 playlist export how toSome of the new features in Pro Tools 10 aren't immediately obvious - but they can be invaluable once you know how to use them. ![]()
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